Daily photographs by HANS VON RITTERN, with humorous, artistic and social commentary on life in the big city.

Posts tagged “architecture

Photo of the day: FIRST SNOWFALL OF THE WINTER ATOP THE CLOCK TOWER GALLERY

Atop the Clock Tower Gallery with the Woolworth Building in the background.

Atop the Clock Tower Gallery with the Woolworth Building in the background.

Photo of the day: FIRST SNOWFALL OF THE WINTER  ATOP THE CLOCK TOWER GALLERY – It’s official, as of 8:30pm Saturday night, November 23rd 2013 – winter has arrived. I was atop the Clock Tower Gallery for it’s closing farewell party as a bitter cold wind brought the first snowfall. Brrrrrrrr!
Clock Tower Gallery: http://artonair.org/

Touching email from a German guest mourning the loss of 5 Pointz

Karin Glietz-Rothsprack

Karin Glietz-Rothsprack

Touching translation of an email from a German guest:
Dear Hans von Rittern,
On the occasion of a cruise with the AIDA BELLA/Harlem Spirituals, we visited New York, on Nov.2.2013 and we were lucky enough to take a city tour “Complete Brooklyn”  with you as a city guide. My view of New York became changed by your affectionate and competent guidance. You led us to the graffiti museum at the end of the excursion. What a sight, a factory, in a dreary trade settlement, with miraculous pictures, in all different conceivable style kinds and colors. Enthusiastically I have taken photos so many pictures as possible and even have bought one more T-shirt. I have carried these photos home and have shared them, also the T-shirt has brought a lot of joys. Now I have found out on-line from “Der Spiegel” (Germany’s ‘Time’ magazine)  that the pictures were destroyed by painting over them. This has made me very sad, and the many other people who love this art. We are outraged and feel with you and the many involved and the artists. We will preserve our photos as a treasure and provide for the fact that these pieces of art are shown over and over again, so live on. I embrace you and wish you a lot of strength and courage. With many dear greetings,
Karin Glietz-Rothsprack

From: karin.glietz@gmail.com To: hansvonrittern@aol.com Sent: 11/20/2013 6:23:53 A.M. Eastern Standard Time Subj: 5pointz

Lieber Hans von Rittern,
anlässlich einer Kreuzfahrt mit der AIDA BELLA, besuchten wir New York, am 12.11.2013 hatten wir das Glück eine Stadtrundfahrt
“Brooklyn komplett” mit Ihnen als Stadtführer zu unternehmen.
Meine Sicht auf New York wurde durch Ihre liebevolle und kompetente Führung eine andere.
Zum Ende der Exkursion führten Sie uns zum Graffiti Museum. Welch ein Anblick, eine Fabrik, in einer tristen Gewerbesiedlung, mit wunderbaren Bildern, in allen nur erdenklichen Stilarten und Farben.
Begeistert habe ich soviel Bilder-wie möglich- fotografiert und zum Abschluss noch ein T-Shirt gekauft.
Ich habe diese Fotos nach Hause getragen und weiter gegeben, ebenso das T-Shirt, welches sehr viel Freude bereitet hat.
Nun habe ich durch Spiegel Online erfahren, dass die Bilder durch das Übermalen zerstört wurden.
Das hat mich sehr traurig gemacht, mit mir viele andere Menschen, die diese Kunst lieben.
Wir sind empört und fühlen mit Ihnen und den vielen Engagierten und Künstlern.
Wir werden die Bilder- wie einen Schatz bewahren- und dafür sorgen, dass diese Kunstwerke immer wieder gezeigt werden, so weiterleben.
Ich umarme Sie und wünsche Ihnen viel Kraft und Mut.
Mit vielen lieben Grüßen
Karin Glietz-Rothsprack

Photos of the day: MODERN DAY HITLER VANDALIZES ‘DEGENERATE ART’ AT 5 POINTZ

ACT OF HATE-c

Photos of the day: MODERN DAY HITLER VANDALIZES ‘DEGENERATE ART’ AT 5 POINTZ:

5 POINTZ AFTER NOV. 2013

5 POINTZ AFTER NOV. 2013

5 POINTZ BEFORE NOV. 2013

5 POINTZ BEFORE NOV. 2013

Tuesday November 19, 2013 is a day I will not long forget. It was a twist of events and cruel fate that brought many powers of good and evil together.

MARIE FLAGEUL

MARIE FLAGEUL

My dear friend and fellow tour guide Tom Orzo and I picked up 6 German tourist guests at the Queen Mary 2 at the Brooklyn piers for a 3 hour city tour. Normally Tom and I end our tour with a surprise visit to 5Pointz. Since we were coming from Brooklyn, Tom (doing the driving) insisted we make 5Pointz our first fateful stop. At 10:45 we were heading down Jackson Avenue when Tom kept calling out “Oh my God! Oh my God! Oh my God!”. I thought it was his over-reaction to a smaller building in front of the Graffiti Museum that was being torn down. My back was to the museum, I’m facing my German guests telling them how extraordinary a site they are about to see. Now I realize their faces seemed odd and puzzled, so I turn around to the shock of seeing men on high cranes slopping white paint all over the building, obliterating 12 years of spectacular intricate art. I quickly got out to see if I recognized anyone.

MERES' VOW TO FIGHT

MERES’ VOW TO FIGHT

I ran back to the van and we sped to the main loading dock/entrance to the building. And there it was, a vandalized, obliterated work of art – 12+ years destroyed. I ripped open the door to the van and ran into the arms of curator Marie Flaguel and held her as tightly as I could. I cried deep from the gut. I couldn’t stop, I could not speak, I kept gasping for air. I was afraid to let go for fear of seeing Marie’s face. Finally I had to. “It’s all gone…” she said as tears streamed  down her face. The owner Jerry Wolkoff, the same man who had asked the artists to paint the murals on his building, had hired non union thugs to destroy over 1,500 pieces of art outside and even throughout the entire inside of the building. Murals that would take your breath away now had erratic white brush strokes all over them. Oddly enough, the greater more powerful murals – had extra coats of white paint over them, it was deliberate, fearful, vindictive and hateful. How do you find words in a moment when you realize it was one of the greatest mass desecrations of art in the 21st Century. An art genocide.

One of the most haunting incredible  unseen inside murals by Carlos "See TF" Game

One of the most haunting incredible unseen inside murals by Carlos “See TF” Game

As Marie was filling me in on what happened, one of my German guests, Andrea Pröscholdt-Krulich, ran over in tears. “Why?! Warum?!” she kept asking. She was quite shaken. You see – her son was a graffiti artist who had recently committed suicide. She had planned on this trip to New York to visit 5Pointz to pay homage to her son. She never thought that a ‘routine Manhattan city tour’ would have included our surprise visit here. Andrea and my guests were stunned at the amount of press around us and the unexplainable goings on. They looked on in wonderment – here they were in ‘free’ America’, in ‘progressive’ New York and they were watching Hitler-like tactics unfold before their stunned eyes. Some of my older guests were survivors of World War II. I had to get back on the coach and explain what was happening. Then  I realized something. I was with a group of Germans, some of whom had been through a time in Germany when Hitler from 1936 to 1937 rounded up all “modern” art – “Entartete Kunst“ and declared it ‘degenerate’ and had it all destroyed. Over 5,000 works were seized, including 1,052 by Emil Nolde, 759 by Heckel, 639 by Ernst Ludwig Kirchner and 508 by Max Beckman, as well as smaller numbers of works by such artists as Alexander Archipenko, Chagall, James Ensor, Matisse, Picasso and even Van Gogh. What Jerry Wolkoff did was no different!

5 POINTZ CANDLE VIGIL 11-18-13

5 POINTZ CANDLE VIGIL 11-18-13

LAST STAND AT 5 POINTZ 11-18-13

LAST STAND AT 5 POINTZ 11-18-13

But we were not there to mourn the destruction of the museum, their clock was ticking and I was there paid to give a tour. We continued with our tour, but every time we came to a red light or got stuck in traffic, the conversation always went back to the disbelief of 5Pointz. We dropped off our guests and I headed to a candle light vigil that was held at 5pm.

GERMANY MOURNS WITH YOU <3

GERMANY MOURNS WITH YOU ❤

The vigil’s atmosphere was like a tomb, what had been vibrant was dead. At night the ‘white” was even more ‘deadly’ and eerie. People kept coming, looking up in silent tearful disbelief and anger. Poster boards were taped onto the building for us to leave our messages. The purpose of the posters is – we will never ever again grace his walls with a single piece of art, line, scribble name or even a dot. Wolkoff had the audacity to claim he too cried. He claimed he had done this so the artist wouldn’t have had the pain of seeing their art work torn down over a period of months.  This scumbag reasoning is because he was afraid of the momentum we were gaining. On last Sunday’s rally, when 5Pointz was packed, Marie and Meres (co-curators) had gathered over 1,000 signed petitions in ONE day, to have the building land marked and saved. The owner Wolkoff cleverly erased the value of the building. Let us also not forget, the approval of the two twin glass towers that he plans to build on the same spot were approved by the weasel of a lying two-faced councilman Jimmy Van Bramer, the lowest form of politician there is: big smiling child like innocent face, with his hand holding a knife behind his back, ready to strike for his financial gain.  Wolkoff and Bramer – greed is the intoxicant but karma is the bitch.

FUCK YOU

FUCK YOU

So joining the ranks now of Picasso, Matisse and Van Gogh are artists Onur Dinc, Esteban Del Valle, Meres One, Spidertag, Kidlew, Kkade, Rubin, Aka Shiro, Veronique Barrilot, Contort, Jekl and Dyzer5, Bisco, Bishop203, Just One, Leias, Zeso, and Zimad, Lord Roc, Bisc1, one of my favorites Carlos “See TF” Game and so, so many, many more. Who is anyone to say they aren’t the next Keith Harring, Basquiat, or Matisse? It is a knife in the soul of a fading New York.

GHOSTS OF 5 POINTZ

GHOSTS OF 5 POINTZ

Rest In Paint 5POINTZ
MARIE FLAGEUL - CANDEL  LIGHT VIGIL

MARIE FLAGEUL – CANDEL LIGHT VIGIL

MERES' 'STAND HERE'

MERES’ ‘STAND HERE’


Photo of the day: BOGEY AND ME at THE UNITED PALACE “CASABLANCA” RE-PREMIERE

CASABLANCA collage
Photo of the day: BOGEY AND ME at THE UNITED PALACE “CASABLANCA” RE-PREMIERE – ‘Mondays on Memory Lane’ takes us to a grande gala evening of tuxedos and gowns as the revitalized United Movie Palace once known at the Loew’s 175th Street Movie Palace, re-premiered the all time film classic “Casablanca” starring Ingrid Bergman and Humphrey Bogart. Having once spent a magical evening alone with Ingrid Bergman in 1972, the film also has an extra special place in my heart.
Dooley Wilson

Dooley Wilson

The Palace originally opened in 1930 as the Loew’s 175th Street Theater, presenting vaudeville and “talking pictures.” With its spectacular Thomas Lamb design, it was the last of the five Wonder Theatres to be built. In 1969, when many of the city’s grand movie theatres had been demolished or turned into multiplexes, the Palace was purchased, and preserved in magnificent style, by Reverend Frederick J. Eikerenkoetter (Rev. Ike) for his church. Rev. Ike paid big money to have European craftsman restore the hand carved gold detail work throughout the theater declaring: “We are all created in God’s image, therefore each of us is god-like. Therefore you should be made to feel like a god when you enter this palace.” (You do, thank you Rev. Ike!)
United Palace Loew's lobby

United Palace Loew’s lobby

Since Reverend Ike’s death in 2009, the United Palace has been led by his son, Xavier, a life-long musician and minister currently working with the Rhythm Arts Alliance in Southern California, whose dream has been to create a cultural center uptown. Toward this end, he has organized UPCA as a secular non-profit that has a long-term licensing agreement to use the theater and rehearsal and classroom space.

Loew's Palace balcony

Loew’s Palace balcony

The theater is Manhattan’s third-largest; portable partitions enable its use for audiences ranging from a few hundred to its full capacity. It has hosted symphony concerts, been used in films, videos and TV shows like “Smash”.

United Palace Loew's theater

United Palace Loew’s theater

What was expected to be an event that would just draw a couple of hundred people through their web site and friends on twitter and Facebook, wound up drawing an audience of 1,100 people! (I was made aware of it by my friend Carolyn Blackbourn). Admission was $15 but those appearing in formal gowns and tuxedos were given free admission but could still make donations to the theater in form of raffles (I won a poster!). The audience was polled by a show of hands, how many were visiting this theater for the first time – 75% of the hands went up! How many had never seen “Casablanca” in a movie theater before – 50% of the hands went up! The audience gasped with the excitement knowing we were all sharing this wonderful experience of “a first” together, that is the magic of film- the shared experience in the dark.
Mike Fitelson and Lou Lumenick

Mike Fitelson and Lou Lumenick

We were treated to live music performances by the SONGS chamber Orchestra and serenaded with “As Time Goes By” by Tim McAfee Lewis. Executive director of ‘the Palace’ handsome Mike Fitelson welcomed us with a wonderful speech of his goals for this architectural treasure. This was followed by the world premier of hip hop artist GPK’s music video “Bouger” which happens to have a ‘Casablanca’ theme. “Casablanca” was introduced by New York Post film critic Lou Lumenick, declaring it his favorite film of all time. Then came that magic moment when the lights are dimmed, the dark screen illuminated with the Warner Brothers logo and the magic began. The film is perfection. Bogey and Bergman are perfection, Peter Lore and Paul Henreid are perfection, the script and editing are perfection. It’s truly is the golden age of 1942 Hollywood.
Loew's Palace mural

Loew’s Palace mural

The joy of classic lines like: “Play it! ” (no Bogey does not say ‘again Sam’, Woody Allen did).
Captain Renault: I’m shocked, shocked to find that gambling is going on in here! [a croupier hands Renault a pile of money] Croupier: Your winnings, sir. Captain Renault: Oh, thank you very much.
Rick: We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night. Ilsa: When I said I would never leave you. Rick: And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of. Ilsa, I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday you’ll understand that.
Rick: Louie, I think this is the beginning of a beautiful friendship.
And I hope that this is also the beginning of a beautiful friendship with the many of you who will check out The United Palace web site (below) and visit this spectacular theater for future events.
"Here's looking at you kid." Bogey & Bergman

“Here’s looking at you kid.” Bogey & Bergman

My favorite Peter Lore scene “Rick! Hide me!”: http://www.youtube.com/watch?v=86x4im8TQWY

Casablanca quotes: http://www.imdb.com/title/tt0034583/quotes

Hans Von Ritttern and Deborah Blau

Hans Von Ritttern and Deborah Blau


Photo of the day: SMILE . . . it’s SUNDAY !

SMILE!©

Photo of the day: SMILE . . . it’s SUNDAY !

Mondays on Memory Lane: DINING AT STOUFFER’S “TOP OF THE SIX’S”

TOP OF SIX'S POSTCARD

Mondays on Memory Lane: STOUFFERS ‘TOP OF THE SIX’S’ RESTAURANT – As a child, “Top of The Six’s” meant a special occasion. You had done well in school or it was prom night or you were in love and wanted to impress with the sweeping view of the Empire State Building. The rooftop restaurant was located at the epicenter of the posh section of Fifth Avenue, between 52nd/53rd Streets, with a lobby fountain wall designed by Isamu Noguchi and easy subway access downstairs. Today it is but a postcard memory.

Lobby fountain wall designed by Isamu Noguchi

Lobby fountain wall designed by Isamu Noguchi

TOP OF SIX'S POSTCARD (2)

It all started in 1922 the Stouffer family opened a lunch counter on East Ninth St. in downtown Cleveland, Ohio. They sold sandwiches, dairy products and Lena Stouffer’s soon-to-be-famous deep-dish Dutch apple pie. By 1935 they expanded to six restaurants in the Cleveland area and in 1937 they opened the first Stouffer restaurant in New York City.

In 1946 Stouffer’s opened on Shaker Square and at the Westgate shopping center in the Cleveland suburbs. It was at the Shaker Square location that patrons began requesting takeout orders of items on the menu and the Stouffer foray in to frozen food began by 1954. By this time Stouffer’s had restaurants in Florida, Philadelphia, Atlanta and Detroit.

1958 – Opens restaurants at the stainless steel deco-like #666 Tishman Building (built 1957) located at 666 5th Avenue in New York City one on the 1st & below-street levels, the other on the 39th floor, at the time the highest public restaurant in N.Y. They went there, by the millions. In July 1973, about 15 years after it opened, the restaurant announced that it was about to serve its 10 millionth meal. Ominously, a review that month found the cuisine anything but haute.

TOP OF SIX'S

They continued to expand, building a frozen food processing plant in Solon, Ohio in 1968 and they ventured into specialty casual dining eateries with names like Rusty Scupper, Cheese Cellar and the Grog Shop. In 1969 NASA chose Stouffer’s products for Apollo 11, 12 and 14 for astronauts to dine on.

But it was the Stouffer’s “Top of the…” restaurants that became the special occasion places to go. “Top of The Hub” in Boston, “Top of the Rock” in downtown Chicago, “Top of the Sixes” in New York City, “Top of the Flame” in Detroit and “Top of the Town” in Cleveland.

The view was terrific from 40 stories up, especially in those days long before the World Trade Center, when a restaurant on top of a skyscraper was a novelty. Prices were reasonable. Children liked the view, and so did young couples on dates. Men proposed to their wives there,” it was a time when going to ”the city” meant journeying from Queens to Manhattan. You didn’t necessarily go there for the food, it was that wonderful atmosphere.

Tishman Building #666 Fifth Avenue

Tishman Building #666 Fifth Avenue

On September 18, 1996, The New York Times announced the closing of this beloved rooftop gem. The new tenant would be the Grand Havana Room, a cigar temple that will bear as much resemblance to a smoke-filled parlor as, say, the Oak Room at the Plaza Hotel. Right now I’d give anything for a mid-west cooked Stouffer’s meal atop of the Six’s. The best I can do, is to go to my rooftop, spread a tablecloth and open my microwaved Stouffers dinner – it’s just not the same.

What are your memories of “Top of the Six’s”?


Photo of the day: IN DEFENSE OF “ART” – SAVING 5 POINTZ GRAFFITI MUSEUM

5 POINTZ HEARING COLLAGE

Photo of the day: MY SPEECH TO SAVE 5 POINTZ DIRECTED AT COUNCILMEMBER JIMMY VAN BRAMMER AND DEVELOPERS – On Wednesday October 2, 2013 both sides in favor and against tearing down Graffiti & Mural museum 5 Pointz, gathered inside City Hall for a hearing by the NYCHA – The New York City Housing Authority. It’s basically a side show/dog and pony show with the real estate developers always claiming tearing something down is “for the good of the community.” The owner, Jerry Wolcoff wants to build twin mirror glass apartment towers for which he will receive $7 million. Now you know me – I do not go quietly! Here is my passionate speech directed in part at my Queens councilmember, who is Christine Quinn’s lap dog and Mayor Bloomberg’s pet – Jimmy Van Brammer – who has stated he does not believe the magnificent powerful graffiti and mural works at 5 Pointz is “art” – and therefore in favor of tearing the building down. (When embarrassingly trapped by the truth of his statement at the hearing he said: “Well….I said I don’t quite understand it.” After also admitting he has rarely ever visited the site in his district.

rendering-5 POINTZ WOLCOFF TOWERS

rendering-5 POINTZ WOLCOFF TOWERS

SPEECH:

My name is Hans Von Rittern, born raised in Queens, licensed tour guide of 8 years. I have been hired by Harlem Spirituals Tour company to take European tourists on a 5 hour tour of Brooklyn. They marvel at the view from Fulton Ferry and thank me, they love Park Slope bagels and Coney island puts a smile on their faces. The endpoint of the tour is supposed to be hipster Williamsburg. I chose not to do that and end my tour at 5 Pointz as a surprise. When I get back onto the bus, each and EVERY single time they burst out into spontaneous cheers and applause saying  “THIS is highlight of the New York tour”! “THIS is New York!”

I take tourists on “art tours” of galleries and or museums. When they reach MOMA’s PS1 they are bored and unmoved by the art. I say “come with me”  and lead them to 5 Pointz and I always have trouble getting them back into our vehicle. This is an untapped   rich   resource that needs imagination of design and investment, NOT a quick buck, another mirror glass box and then get the hell out of there as fast a possible.

There are 2 ways to make money: The quick bang fix and run – or, the wise investment – for perpetual monetary return on your investment of restoring the building and let the artists go hog wild on the interior. Hipsters will kill for a graffiti-ed loft, stores would love the unmatched  ambience and above all, CHARGE FOR THE ADMISSION INTO THE BUILDING AS A FULLY FLEDGED MUSEUM.

Muralist VERONIQUE BARRILOT makes her (final?) statement

Muralist VERONIQUE BARRILOT makes her (final?) statement

‘Not a museum because it’s not “art”’,  as some politicians like my councilmember Jimmy Van Brammer will say?

May I remind you:

Toulouse L’autrec – was considered street art and torn off the walls, today  his street posters are considered the finest examples of classic art.

Matisse – was dismissed as “scribble,”

Picasso – was considered a crackpot for putting a woman’s nose where her ear ought to be

Warhol– not taken seriously at all, soup cans as art?! Own one today and it’s worth millions.

Keith Haring – used to graffiti at my subway station, I watched him get arrested. Today he hangs in MOMA and the cathedral of St. John The Divine.

Basquiat – was looked down upon as wanna be street artist. His work is now in the major museums around the world.

Yes, I fully realize this is not what the building was intended to become, but it has, it has become bigger than what you realize.

So who are YOU – to say this is not “art” and therefore not worth saving and investing in?

I should think greed alone would take over and try to save it.

Don’t have your names forever associated with the destruction of this building so all of you can make a “fast buck” rather than a wise “invested buck.”

Look back, which one of you doesn’t wish they owned a Warhol soup can now?

Well –  you have dozens of them, right here in front of you.

Just because it is relatively new art does not make it less relevant art.

Remember all the fools that said the same of Lautrec, Warhol, Haring and Basquiat.

Will you be the same short sighted fools?

Fellow tour guide Andy Sydor testifying in favor of 5 Pointz

Fellow tour guide Andy Sydor testifying in favor of 5 Pointz

Reporter Greg Mocker of WPIX11 Covered the hearing, I can be seen testifying saying : “Yes, I fully realize this is not what the building was intended to become, but it has, it has become bigger than what you realize.” Here is the video link http://pix11.com/2013/10/02/nyc-council-hears-plans-for-iconic-queens-grafitti-building/#axzz2gfgASpxA

5 POINTZ WEB SITE: http://5ptz.com/



Photo of the day: A PIECE OF THE SKY – BARCLAYS CENTER OCULUS

BARCLAY OCULUS

Photo of the day: A PIECE OF THE SKY – BARCLAYS CENTER OCULUS – Built in 2012 to much controversy in downtown Brooklyn, the brand new indoor Barclays sports and concert arena does create a mesmerizing presence to a once decaying area. Built of rusting/”pre-weathered” steel plates made to emulate Brooklyn’s brownstones, it seems to float over the area’s Atlantic Avenue transit hub.
An 117-by-56-foot (36 by 17 m) “Oculus” extends over a 5,660-square-foot (526 m2) section of the plaza outside of the main arena entrance, and contains an irregularly-shaped display screen that loops around on the inside of the structure offering you at times the illusion of a slice of sky.

Photo of the day: KODACHROME

KODAK STORE BROOKLYN©

Photo of the day: KODACHROME – When was the last time you saw this awning over a photo store? !
The reason I love to take my guests on my five hour tour of Brooklyn is because you come to wonderful neighborhoods like Park Slope where you don’t see one god damned chain store for as far as the eye can see! You can still see mom and pop shops like 40 year old PHOTOFACTION on 7th Avenue/corner Carroll Avenue, making you think of Paul Simon’s immortal 1974 lyrics “…don’t take my Kodachrome away.”
“Kodachrome
You give us those nice bright colors
You give us the greens of summers
Makes you think all the world’s a sunny day, oh yeah!
I got a Nikon camera
I love to take a photograph
So Mama, don’t take my Kodachrome away!”
(Photos, by the way, are those paper print outs of your pictures on your iPhone. Film is not the grease on your eye glasses it’s a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film.)
PHOTOFACTION: 117 7th Ave. Brooklyn, N.Y. 11215 (Between President Street. & Carrol Street.)

Photo of the day: 9/11/2013 SO MANY LOSES / SO MANY GAINS

THE MOMENT & WTC
Photo of the day: 9/11/2013 SO MANY LOSES / SO MANY GAINS (and…karma is a bitch!) – On this day in New York when we remember the over 3,000 loses of loved ones at The World Trade, a work place I once called home on the 102nd floor, we also last night gained so very much back! A dedicated group of individuals who sought to stop the hemorrhaging of this city, banded together and defeated one of the most corrupt, cold hearted, and scheming politicians since Boss Tweed in 1853, councilwoman Christine Quinn last night.
Weiner's goodbye

Weiner’s goodbye

Donny Moss and 91 year old Natasha

Donny Moss and 91 year old Natasha

The mighty Quinn: For the past twelve years, Quinn and Bloomberg have systematically destroyed New York City as the city has become a city of the über rich and the very poor, 45+% now live near or at the poverty level. We have lost over 12 hospitals during their term in office, glass luxury apartments replace them. Quinn ruled the city and controlled the zoning laws with her slush funds making the city open season for the greedy real estate developers as zoning law changes have become the norm. South Street Seaport’s Pier 17 is being torn down, neighborhoods like Harlem, Greenwich Village and Soho are loosing their soul. Her tearing down of St. Vincent’s Hospital, it’s church and the 9/11 memorial is the most egregious. As the years passed, she became the most powerful politician only second to Bloomberg, a power that was had by vitriolic temper outbursts and control of the city funds.

 Arrogance
How much is that doggie in the window? To show her lack of character, she was against all animal rights activists to the point of refusing to pass a bill that would now make it mandatory to require sprinkler systems in pet shops. Let the puppies and kittens burn, along with the workers.
Daniela and ABQ friends

Daniela and ABQ friends

Karma is a bitch! In 2011, I lost my Gray Line tour guide job of seven years thanks to Quinn. She single handedly destroyed the double decker tour guide industry by pushing through a ‘headset bill’ in order to please a few well heeled residents of Greenwich Village who had complained that tour guides on the open mics were “too loud”. The original bill did not provide for the headsets to be connected to a live tour guide, me. Councilwoman Gail Brewer added the proviso in the bill that a live guide must be giving the tour. Since Twin America the monopoly that owns the double decker tour bus companies City Sights and Gray Line are heavy contributors to her Christine Quinn’s campaign, miraculously the ‘live guide’ proviso was taken out of the bill in the middle of the night. No sound tests were ever done as required. I headed a group called “Keep New York Live” and protested at every TV station and at city hall with the help of my fellow tour guides. On the final day of our fight we had a twelve noon rally planned on the steps of city hall. No press showed up. At 12:15 I called friend and transit reporter Greg Mocker of WPIX11 and asked ‘where you all?’ Greg’s response “well it’s canceled isn’t it? Quinn said it was canceled.” The bill passed with Quinn’s single authority. Over 200 tour guides were no longer ‘allowed’ to come to work or were given insulting low buy out packages. No work, no health care, nothing.
Well Ms. Christine Quinn – karma is a fierce bitch. YOU took MY job away in 2011 and now I  have taken YOUR job away in 2013 ! ! !
2011 TOUR GUIDE PROTEST at NBC STUDIOS

2011 TOUR GUIDE PROTEST at NBC STUDIOS

The heir to the throne: With an arrogant sense of entitlement as covered in the New York Times, she also had the ’empty chair syndrome.’ At many of the local mayoral forums chairs were set up on stage for all the mayoral candidates, hers – was usually empty. If she did deem to show up, her head never looked up from her blacberry.
NEW YORK TIMES AND PRESS COVERAGE

NEW YORK TIMES AND PRESS COVERAGE

The cowardly lioness: Donny Moss became the monkey on Christine Quinn’s back, she could not leave her house without Donny trailing her as he held up his signs and calling out the truth about her record. No matter what camera angle she tried, there were either Donny or the ‘ABQ’ people behind her. It came to the point that Quinn would not enter any venue through the front door, she had security sneak in her the back door for fear of bad publicity photos and press. What sort of beginning is it to your term as office when you run and hide from your public? Too yellow, spineless and cowardly to face your constituents.
The awesome DONNY MOSS & DANIELA watching DeBLASSIO'S victory

The awesome DONNY MOSS & DANIELA watching DeBLASSIO’S victory

Rag tag group takes down Quinn – Crazy cat ladies, people who dress up their dogs, horse lovers, gay activists, passionate New Yorkers like the incredible Donny Moss, Arthur Cheliotes, Allie Feldman & Wendy Kelman Neu formed groups “Defeat Christine Quinn” and “NYC Is Not For Sale” respectively which then morphed into the “ABQ – Anybody But Quinn” campaign, unprecedented in New York’s political history. We canvassed subway stations every night, manned phone banks and hounded Quinn wherever she made and appearance, Donny Moss being the most wonderfully persistent of all of us! In that time Quinn went from leading in the polls by wide margins to plummeting weekly. No greater plummet than election night when, as other candidates percentages went up….hers went down from 26% to 18% to an embarrassing 15%.
Brian Gari "cat calls" republican mayoral candidate Catsimatidis

Brian Gari “cat calls” republican mayoral candidate Catsimatidis

Picture election night: Each candidate had their large expensive venues filled with their high paying donors and political strategists in their expensive suits with the media tripping over them. Yet here we were, in a little bar called Mustang Sally’s on the west side, fifty of us in the back room, in our sweaty t-shirts and jeans, none of us rich, only rich in passion and conviction. It wasn’t the Bloomberg/Romney-like dollars that Quinn had, it wasn’t all the New York newspaper’s endorsements, it wasn’t the political pundits who said she would win, no, it was the people with pet hair on their now iconic red ABQ (Anyone But Quinn) t-shirts that had all the might. It was volunteers like 91 year old Natasha and my 87 year old mother Ursula. We have changed the course of New York’s history. Never underestimate the passion and the anger of the crazy old cat lady!
AUNT MIA AND HANS

AUNT MIA AND HANS

DONNY MOSS AND HANS VON RITTERN

DONNY MOSS AND HANS VON RITTERN


Photo of the day: WALKING THE WILD UNTAMED HIGH LINE

HIGHLINE

Photo of the day: WALKING THE WILD UNTAMED HIGH LINE – One of the most sold out tickets in New York City are the limited “art walks” offered by The High Line on the undeveloped portion. The landscaped and preserved portion of The High Line is the worlds only elevated park situated on an old rail line built in 1934, the developed portion many of my guests have walked with me from Gansevoort Street to West 28th Street. The undeveloped portion stretching to 34th Street’s Hudson rail yards has an art installation on it by sculptor Carol Bove. Frankly most of the ‘art’ is utter nonsense on the level of ‘the emperor is wearing no clothes’, but – – you get to walk on the untouched rusty overgrown part of the rail line and see a view that will not last. Unfortunately is was very overcast and threatening to rain but the experience was absolutely breathtaking! Here is a sneak peek. More to follow!

Mondays on Memory Lane: THE PALLADIUM DISCO 1986 “EVERY DAY IS GAY PRIDE DAY”

PALLADIUM BUILDING

Mondays on Memory Lane: THE PALLADIUM DISCO “EVERY DAY IS GAY PRIDE DAY” – June is world wide Gay Pride month. One of the last great dance palaces of the disco era was the grand Palladium which every Sunday catered to an almost all gay audience. Owned and operated by the former Studio 54 masterminds Ian Shrager and Steve Rubell. It was one of the last clubs I attended around 1986 before “it just wasn’t fun anymore.”

The Palladium was converted from a movie theater to a music venue and then into a nightclub. The famous duo hired  Danceteria DJ Richard Sweret, who saw the possibility of a much larger audience for a downtown New Wave, Euro and house music-oriented club. From its celebrity-studded opening in May 1985, through the end of the 1980’s, it was one of the major features on a vibrant New York club scene. The club was a mainstay on the New York club scene until it was bought out in 1997 by the voracious appetite of New York University (NYU) and demolished for a sterile campus housing project. They have continued to destroy New York ever since.

Junior Vasquez’s Arena party, held Saturday nights and all day Sundays at Palladium between September 1996 and September 1997, was one of the most popular parties in the New York club scene at the time. Although the promoters billed Arena as “The Gay Man’s Pleasure Dome”, the party drew an eclectic mix of gay and straight from Manhattan and far beyond. 14th Street in those days was still seedy and therefore the attraction to gain entrance into the club as you bypassed the bums in the adjoining urine stenched doorways was ‘chic’ and daring.

1986 Palladium party invitation

1986 Palladium party invitation

The Palladium represented architect Arata Isozaki’s transformation of a vacant and rundown theater, originally built in 1927 as the Academy of Music, into an extraordinary interior that can only be described as a sleek new structure, the equivalent of a seven-story building using more than 200 tons of steel, within the restored grandeur of the original shell. After the conversion from a venue to a club, the main dance floor of the Palladium was a huge space which used to hold the theater and seating. One interesting feature of the club was the large banks of TV monitors in grid formations that were used to display music vidoes. Each monitor could operate separately, or one large picture could be shown across the grid – we had never seen such technology before and it was mesmerizing to us at the time.

PALLADIUM collage

The entire gigantic cavernous club was big enough to hold different areas, the equivalent of three or four clubs! Besides the pounding main dance floor area there was a multicolored basement, and the famous upstairs “VIP room”, The Michael Todd Room. Murals were created for this space by the well known New York artists of the 1980s Jean-Michel Basquit, Francesco Clemente, Kenny Scharf and Keith Haring – these treasures are gone.

The video links below will show you the 1980’s grandeur it once was.

A rare visual tour into the past of The Palladium: http://www.youtube.com/watch?v=t5_NI2MSmp8

MTV music video A. Snap – The Power B. Technotronic – This beat is Technotronic: http://www.youtube.com/watch?v=vUdbX4B-74s


Photo of the day: ROCKEFELLER CENTER-ED

ROCK CENTERED

Photo of the day: ROCK CENTERED – Following the incredible public response to Ugo Rondinone’s Human Nature public art display at Rockefeller Center, the exhibition has been extended by one month and will remain on view through July 7! Transforming Rockefeller Center Plaza between 49th and 50th Streets, Rondinone’s nine colossal stone figures stand like ancient sentries in the heart of Midtown Manhattan. Their immovable legs are gates through which visitors pass (and where they often pose for photos!) and their primal 16- to 20-foot-tall forms stand in stark contrast to the modern buildings that surround them. Some say they look like human figures…I say they look like stacked rocks – art is in the eye of the beholder. (And no, you can’t climb to ‘the top of the rock’).
Share your images of the exhibition using the hashtag #UgoNYC or upload your images to PublicArtFund.org, where they will live as part of their exhibition archive!
This exhibition is presented by Nespresso and organized by Public Art Fund and Tishman Speyer.

GRAND CENTRAL TERMINAL IS 100 YEARS AND 100 DAYS OLD TODAY

100 YEAR GRAND CENTRAL collage

Photo of the day: GRAND CENTRAL TERMINAL IS 100 YEARS AND 100 DAYS OLD TODAY – In the 1968 the city wanted to tear it down. First Lady Jacqueline Kennedy Onassis stepped in and fought for it’s protection: 
“Is it not cruel to let our city die by degrees, stripped of all her proud monuments, until there will be nothing left of all her history and beauty to inspire our children? If they are not inspired by the past of our city, where will they find the strength to fight for her future? Americans care about their past, but for short term gain they ignore it and tear down everything that matters. Maybe… this is the time to take a stand, to reverse the tide, so that we won’t all end up in a uniform world of steel and glass boxes.”
JACKIE KENNEDY
Sadly enough, her statement is even more true today in the Mayor Bloomberg/Councilwoman Christine Quinn administration than it ever has been. One half million people a day wonder at the awe of this magnificent saved building. With the greed that is so prevalent in our city today, with buildings being torn down left and right in favor of monsterous soul-less glass boxes – how many buildings are we to loose?…
Visit Grant Central’s web site for their calendar of centennial events: http://www.grandcentralterminal.com/events
Marilyn Grand Central

Photo of the day: THE WOOLWORTH TOWER “IT ALL ADDS UP” – 100 YEARS OLD TODAY

THE WOOLWORTH TOWER

Photo taken from completed World Trade Center #7

THE WOOLWORTH TOWER “IT ALL ADDS UP” – 100 YEARS OLD TODAY: On October 3, 2011 at 1:30 pm, ‘Open House New York’ gave me the rare privilege of going to the top of the newly finished World Trade Center #7. The floor had not yet been occupied and afforded me the breath taking views of the Woolworth Tower soon to be only the views seen by office workers in the building. It was a thrilling bittersweet experience.
On April 24, 1913 Frank W. Woolworth completed what was then the tallest building in the world, 57 stories tall, on lower Broadway between Park Place and Barclay Street, opposite City Hall. He called it his ‘cathedral of commerce’. Decorated with the finest craftsmanship, artwork, gold leaf and mocking gargoyles. The exterior decoration was cast in limestone-colored glazed architectural terra-cotta panels.
The completed height 792 feet (241 m). A breath-taking observation deck on the 57th floor was open to the public. It remained the tallest building in the world till the Chrysler Building was built in 1930, then only to be surpassed by the Empire State Building.
The most wonderful part of the story is he paid the full price of the building upon completion $13.5 million dollars …in cash. . . in nickels and dimes! Mr. Woolworth was noted for saying “it all adds up!”. So the next time your mother tells you to ‘save your nickels and dimes’ – listen to her! In my office at home I have a framed 1913 advertising brochure of Frank W. Woolworth who created one of the greatest financial empires in the world through his successful idea of ‘five and dime’ stores (our .99 cent stores of today.) I keep his brochure on my wall to remind me, it does all add up!
 WOOLWORTH BROCHURE
Tragically the building today has fallen victim to the cancer that is NYU university, which has taken over the building and will let no none NYU persons into the building, not even to peek a the lobby (there are nasty bully guards at the door) and rare tours are only for the very few and high paying. Or – you could pay the average $65,000 a year price tag tuition to attend NYU and tour the building whenever you wish. It is disgusting that this tower based on the nickels and dimes of the working class has succumbed to the über elite.
They have stolen our city treasure. It is the aftermath of the greedy era of mayor Michael Bloomberg and an even more dangerous villain councilwoman Christine Quinn. After NYU’s grab of the building, on July 31, 2012 an investment group led by Alchemy Properties bought the top thirty floors of the building. The tower will be turned in to 40 luxury apartments with a five level penthouse on top. Many people are looking for apartments in that area. The investment group says that the building historic status down town “has the catch to give it an edge over its competitors. “The luxury apartments will began at three hundred fifty feet from the ground level. Each apartment will have a view of lower and midtown Manhattan. The apartments will have ceiling heights that are about eleven to fourteen feet tall. A fifty five foot long pool in the basement will be restored for the use of the people who live there. The apartment is set to sell at seven and a half million dollars for about two thousand five hundred square feet. Over the entire project will cost one hundred fifty million dollars to build the apartments and plus the sixty eight million dollars used to purchase the space. . . a far cry from the days of nickels and dimes, those days are far gone.

Photo of the day: ART WITH ABANDON by Damon Ginandes

ARTFUL GRAFFITI

ART WITH ABANDON: Actually…art with an abandoned building; as seen in one of the side streets along the commercial piers waterfront in Brooklyn. It is a wonderful surprise as you walk through this dingy area. Note the brilliant artist’s Damon Ginandes’ clever use of color. The yellows match the yellow door of the building on the right and the blues match the color of the abandoned building.
See a beautiful video of his work: http://www.youtube.com/watch?v=HHkCZlygCqg

Photo of the day: JESUS IS KING AT THE WORLD TRADE CENTER

JESUS IS KING AT THE WORLD TRADE CENTER: I am born and raised in this city. Walking past construction sites is a part of the fabric of life here. At first you gaze down into the big hole, then as the months pass, you start to gaze up as the construction rises in front of you.  First the beams rise to the sky, then followed by the mortar and brick – nowadays that step is mostly skipped in favor of quickly just putting up sheets of glass.
Wooden walls or chain link fences keep us safely separated from the site. The temporary ‘wall’ surrounding the site becomes a form of city art. Posters advertising the latest show, cable TV shows, spiritualists, party, politician or artist. They get torn, sometimes artfully so or get glued or stapled over, layer by layer, a sort of record of time. That is usually collaged with a colorful array of graffiti, some of it the usual street gang type (kING63) or profound messages or rather naughty ones. But never have I looked up and have seen the graffiti on the building itself – and on top of that – a religious message.
At the World Trade Center construction site, along Church Street, as building #3 rises, look high up at the buildings cement core and you first think the spray paint markings in safety day glow orange would naturally be some sort of construction markings of distance or height. The answer is no. If you look closely, it is a message declaring “Jesus is King.”
I have never, ever seen a construction site graffitied by it’s workers much less religious graffiti. I am equally astounded it is allowed by the site – apparently so . . . Merry (early) Christmas 🙂

Photo of the day: THE GREAT GATSBY’S VIEW

THE GREAT GATSBY’S VIEW: A rich and storied past surrounds the Mansfield Hotel, 12 west 44th street, located on famed Club Row, one of the most prestigious and history laden blocks in New York City.

Prior to the Mansfield’s construction in 1903, an orphanage occupied the same real estate until 1867, followed by a three-story brick stable that was built to service the opulent mansions along Fifth Avenue owned by the era’s social “elite”, including notables such as the Vanderbilts, Goelets, Whitneys, Goulds and the Mills.

Then in 1890, one of the most celebrated Architects of the era, James Renwick, was retained to design the Mansfield Hotel. His masterful works include Saint Patrick’s Cathedral, The New York Public Library and St. Bartholomew’s Church, as well as many other historic buildings throughout the city.

Constructed in the popular Beaux Arts style, and influenced by neoclassical Roman and Greek architecture with these beautiful copper bay windows, the Mansfield was originally built as a hostelry for well-heeled bachelors and socialites. Notables such as painter John Butler Yeats, father of the poet William Butler Yeats, stayed to experience a thriving New York following his immigration from Ireland. During the 1950s, the Mansfield was home to Maz von Gurach, who was believed to be the inspiration for Jay Gatsby, from F. Scott’s Fitzgerald’s “The Great Gatsby.”