Daily photographs by HANS VON RITTERN, with humorous, artistic and social commentary on life in the big city.

Posts tagged “arts

Photo of the day: SHANNON POT AT 5 POINTZ SERVES IT’S LAST FROZEN DRINK

The Shannon Pot, 14 years at 45-16 Davis Street/Jackson Avenue

The Shannon Pot, 14 years at 45-16 Davis Street/Jackson Avenue

Photo of the day: SHANNON POT AT 5 POINTZ SERVES IT’S LAST FROZEN DRINK – Friday January 3rd, 2014, was yet another nail in the coffin of what was a vibrant neighborhood block. After the destructive whitewashing of the art work at 5 Pointz by greedy owner Gerry Wolkoff, it was also the final night of the neighborhood hangout bar The Shannon Pot.

The burst pipes added the final touch

The New Years Eve balloons were still hung...

The New Years Eve balloons were still hung…

The bar

The bar

♫♪ "Who's Zat Girl?" ♫♪

♫♪ “Who’s Zat Girl?” ♫♪

The extremely cold 10°F degree weather added to the morbid feeling in the air. Only a few of the die hard regulars showed up including Meres One and Marie Flageul to join co-owners Maureen and Salah for a final round of drinks. To my surprise, as I arrived I was greeted by water dripping down from the ceiling. The frigid temperatures had burst the pipes and was flooding the bar. The water had been shut off but it was still ‘raining’ inside the bar. The water from above had damaged the juke box with Meres’ disco favorites causing the sound to go from high to low every few seconds only adding to the eerie feel of the night.

Gin Sin shot $2.00

Gin Sin shot $2.00

Final shots

Final shots

So there we were, with our coats and jackets on in the cold bar and no water except for what was coming from the ceiling, which made for slippery dangerous last dance. Instead of dancing the walls were tagged, good times and future times were discussed as 14 years of Maureen’s and Salah’s ‘home’ were coming to an end. How to remove the wonderful old hand carved wood bar and all it’s contents were strategized. “They don’t do woodwork like this anymore” said Salah proudly. I looked behind the bar itself and at the ancient wall paper on the wall which seems to be of impressed plaster work painted gold. No one knows just the exact history of the bar but if these walls could talk, we would have 100 years of Long Island City history to tell. All the 5 Pointz events the had been held here, the celebrations of hip hop and street art add so much more history to this little Irish style pub. (My awesome surprise birthday was just celebrated here a few weeks ago.) Another beloved place gone in the era of mass destruction of New York’s past.
The loyal group

The loyal group

Maureen, Salah and friends

Maureen, Salah and friends

A final Shannon kiss

A final Shannon kiss

During the evening Marie stepped out for her usual cigarette, as she stood in front of the bar she observed a pigeon flying towards the building to seek refuge form the cold, and seconds before it could reach the building, it simply fell out of the sky succumbing to hypothermia. Marie’s mission was to rescue the bird. We got a box, lined it with tissue paper and gently placed it in the box. It did not even resist. We placed it in the back hoping it would warm up. (It was in desperate need of sleep as well.) Every so often we would check to see if Marie’s pigeon was reviving, it barely was, but towards the end of the night was fluffing itself up, a hopeful sign. As a final act of kindness, Meres and Marie took the pigeon to their garage to let it warm up and revive. Two days later it flew off to join the world again.

The last round

The last round

Giving Gerry the finger

Giving Gerry the finger

A bitter cold ending . . .

A bitter cold ending . . .

Keep on burnin'

Keep on burnin’

The man with a mission

The man with a mission

Meres and Marie and all the fantastic 5 Pointz crew are greatly symbolized by our little pigeon – we may be down, but with a little help from our friends – we are not out. Maureen and Salah will reopen at a new nearby location at 21-59 44th Drive, off of 21st Street soon. 5 Pointz will rise again like a phoenix (or our pigeon) and with the creative force of the artists and minds behind Meres and Marie, look out for a brighter and bolder future for Pointz! !

Final exit - (with the pigeon).

Final exit – (with the pigeon).

SHANNON POT©

MORE CELEBRATIONS TO COME !

MORE CELEBRATIONS TO COME !


The best crew ever from 5 POINTZ !

HAPPY BIRTHDAY CREW

Here’s the crew behind the BEST birthday gift EVER!! Being tagged at 5 Pointz! I love u guyz ! — with Jonathan Meres Cohen, Marie Cecile Flageul, Anthony SpinChenzo and Will Iam Wavey.


Photo of the day: WHAT HAS 72 LEGS AND MOVES WITH PRECISION?

rockettes radio city

Photo of the day: WHAT HAS 72 LEGS AND MOVES WITH PRECISION? – The New York Radio City Music Hall Rockettes ! !
The Christmas Spectacular is the single most popular show in New York at Christmastime. 5,931 seats available for each show!! Five shows a day!
There are two sets each of 36 dancers in each New York show. There are 80 Rockettes (4 understudies), and they split the casts into 40 and 40. On the days with five shows, one cast will do two shows, the other will do three. On six-show days they divide it by three and three. So they can get a break, during the week they give each other a day off. The most they would do is four shows in a day.
A little known fact, if you are from Missouri (ironically the “show me” state) – you can be proud! The group was founded in St. Louis, Missouri by Russell Markert in 1925, originally performing as the “Missouri Rockets.” Markert had been inspired by the John Tiller Girls in the Ziegfeld Follies of 1922, and was convinced that “If I ever got a chance to get a group of American girls who would be taller and have longer legs and could do really complicated tap routines and eye-high kicks… they’d knock your socks off!” The group was brought to New York City by Samuel Roxy Rothafel to perform at his Roxy Theater and renamed the “Roxyettes.” When Rothafel left the Roxy Theatre to open Radio City Music Hall, the dance troupe followed and later became known as the Rockettes. The group performed as part of opening night at Radio City Music Hall on December 27, 1932. In 1936, the troupe won the grand prize at the “Paris Exposition de Dance”…the rest – is history !

Photo of the day: 121212 CONCERT, WHERE IS THE HELP NOW?

121212 posters edt

Photo of the day: 121212 WHERE IS THE HELP NOW? – One year ago today there was a monumental concert effort to help the victims of our hurricane Sandy. While a valiant effort it was, there are still today thousands of people without homes in New York and New Jersey, miles and miles of seashore destroyed. 
One year later, there are thousands of people suffering in the Philippines from Super Typhoon Haiyan. The destruction was catastrophic. Storm clouds covered the entire Philippines, stretching 1,120 miles — equal to a distance between Florida and Canada. The deadly wind field, or tropical storm force winds, covered an area the size of Montana or Germany. Winds gusted an unequaled 195 to 235 mph! Over 10,000 are dead, most of the poor population is homeless. 80% of the structures are flattened.
One year later: Where is the 121213 concert?
philippines-tacloban-city-horizontal-gallery

NELSON MANDELA mural in Harlem on 125th Street. R.I.P.

Nelson Mandela mural 125th Street Harlem

Nelson Mandela mural 125th Street Harlem

Nelson Mandela  1918 – 2013. Thank you for changing the world peacefully. May you now rest peacefully.
(Harlem mural by Franco Gaskin, seen on 125th Street. Malcom X, Obama, Mandela, Dr. King)


Photo of the day: JOSEPHINE BAKER DOES THE TWIST IN A TUTU IN A DISCO BALLROOM AT THE CLOCK TOWER

Josephine Baker twists in a room

Josephine Baker twists in a room

Photo of the day: JOSEPHINE BAKER DOES THE TWIST IN A TUTU IN A DISCO BALLROOM AT THE CLOCK TOWER –   Only in New York. Brooklyn-based collage artist Judith Supine has created a fun house mirror effect of Josephine Baker dancing in a disco like room with walls lined in mylar with mylar strips hanging about. The illusionary effect was a trip. The art installation was for yet another art gallery site closing, the famed Clock Tower Art Gallery in lower Manhattan.

Photo of the day: “NEVER FORGET” 5 POINTZ, COME JOIN US TODAY 11-23-13

5 Pointz Graffiti Museum, Long Island City, Queens

5 Pointz Graffiti Museum, Long Island City, Queens

Photo of the day: “NEVER FORGET” 5 POINTZ, COME JOIN US TODAY – We will still be there today! Saturday, November 23, 2013. Our tents will be there with Meres and Marie (curators and lead fighters) as well as the artists selling their works. We will not be white-washed away, we will always be here. The fight is NOT over. Come view the cruel hatefulness of the vandalism. The pettiness of the whitewashing.
5 Pointz will live on in one form or another, whether it is here or at another building. But it will especially live because of all of you, through your thousands of photos, stories and passions. If you have photographed the building in all it’s glory, photograph it now and tell the story of one of the greatest crimes against the art world. Let your friends and the world see what greedy, hateful, vindictive, fearful and cruel men the Wolkoff owners are. Spread the word.
I will see you there today with my dear friends from approx. noon till 4 or 5 pm.
45-46 Davis Street/Jackson Avenue, Long Island City.
#7 train – No trains between Queensboro Plaza and Times Sq-42 St.

Take N or Q train to Queensboro Plaza.

Take the free shuttle bus from Queensboro Place. Get off Court Street stop. Walk following the rail line towards 5 Pointz.


Touching email from a German guest mourning the loss of 5 Pointz

Karin Glietz-Rothsprack

Karin Glietz-Rothsprack

Touching translation of an email from a German guest:
Dear Hans von Rittern,
On the occasion of a cruise with the AIDA BELLA/Harlem Spirituals, we visited New York, on Nov.2.2013 and we were lucky enough to take a city tour “Complete Brooklyn”  with you as a city guide. My view of New York became changed by your affectionate and competent guidance. You led us to the graffiti museum at the end of the excursion. What a sight, a factory, in a dreary trade settlement, with miraculous pictures, in all different conceivable style kinds and colors. Enthusiastically I have taken photos so many pictures as possible and even have bought one more T-shirt. I have carried these photos home and have shared them, also the T-shirt has brought a lot of joys. Now I have found out on-line from “Der Spiegel” (Germany’s ‘Time’ magazine)  that the pictures were destroyed by painting over them. This has made me very sad, and the many other people who love this art. We are outraged and feel with you and the many involved and the artists. We will preserve our photos as a treasure and provide for the fact that these pieces of art are shown over and over again, so live on. I embrace you and wish you a lot of strength and courage. With many dear greetings,
Karin Glietz-Rothsprack

From: karin.glietz@gmail.com To: hansvonrittern@aol.com Sent: 11/20/2013 6:23:53 A.M. Eastern Standard Time Subj: 5pointz

Lieber Hans von Rittern,
anlässlich einer Kreuzfahrt mit der AIDA BELLA, besuchten wir New York, am 12.11.2013 hatten wir das Glück eine Stadtrundfahrt
“Brooklyn komplett” mit Ihnen als Stadtführer zu unternehmen.
Meine Sicht auf New York wurde durch Ihre liebevolle und kompetente Führung eine andere.
Zum Ende der Exkursion führten Sie uns zum Graffiti Museum. Welch ein Anblick, eine Fabrik, in einer tristen Gewerbesiedlung, mit wunderbaren Bildern, in allen nur erdenklichen Stilarten und Farben.
Begeistert habe ich soviel Bilder-wie möglich- fotografiert und zum Abschluss noch ein T-Shirt gekauft.
Ich habe diese Fotos nach Hause getragen und weiter gegeben, ebenso das T-Shirt, welches sehr viel Freude bereitet hat.
Nun habe ich durch Spiegel Online erfahren, dass die Bilder durch das Übermalen zerstört wurden.
Das hat mich sehr traurig gemacht, mit mir viele andere Menschen, die diese Kunst lieben.
Wir sind empört und fühlen mit Ihnen und den vielen Engagierten und Künstlern.
Wir werden die Bilder- wie einen Schatz bewahren- und dafür sorgen, dass diese Kunstwerke immer wieder gezeigt werden, so weiterleben.
Ich umarme Sie und wünsche Ihnen viel Kraft und Mut.
Mit vielen lieben Grüßen
Karin Glietz-Rothsprack

Photos of the day: MODERN DAY HITLER VANDALIZES ‘DEGENERATE ART’ AT 5 POINTZ

ACT OF HATE-c

Photos of the day: MODERN DAY HITLER VANDALIZES ‘DEGENERATE ART’ AT 5 POINTZ:

5 POINTZ AFTER NOV. 2013

5 POINTZ AFTER NOV. 2013

5 POINTZ BEFORE NOV. 2013

5 POINTZ BEFORE NOV. 2013

Tuesday November 19, 2013 is a day I will not long forget. It was a twist of events and cruel fate that brought many powers of good and evil together.

MARIE FLAGEUL

MARIE FLAGEUL

My dear friend and fellow tour guide Tom Orzo and I picked up 6 German tourist guests at the Queen Mary 2 at the Brooklyn piers for a 3 hour city tour. Normally Tom and I end our tour with a surprise visit to 5Pointz. Since we were coming from Brooklyn, Tom (doing the driving) insisted we make 5Pointz our first fateful stop. At 10:45 we were heading down Jackson Avenue when Tom kept calling out “Oh my God! Oh my God! Oh my God!”. I thought it was his over-reaction to a smaller building in front of the Graffiti Museum that was being torn down. My back was to the museum, I’m facing my German guests telling them how extraordinary a site they are about to see. Now I realize their faces seemed odd and puzzled, so I turn around to the shock of seeing men on high cranes slopping white paint all over the building, obliterating 12 years of spectacular intricate art. I quickly got out to see if I recognized anyone.

MERES' VOW TO FIGHT

MERES’ VOW TO FIGHT

I ran back to the van and we sped to the main loading dock/entrance to the building. And there it was, a vandalized, obliterated work of art – 12+ years destroyed. I ripped open the door to the van and ran into the arms of curator Marie Flaguel and held her as tightly as I could. I cried deep from the gut. I couldn’t stop, I could not speak, I kept gasping for air. I was afraid to let go for fear of seeing Marie’s face. Finally I had to. “It’s all gone…” she said as tears streamed  down her face. The owner Jerry Wolkoff, the same man who had asked the artists to paint the murals on his building, had hired non union thugs to destroy over 1,500 pieces of art outside and even throughout the entire inside of the building. Murals that would take your breath away now had erratic white brush strokes all over them. Oddly enough, the greater more powerful murals – had extra coats of white paint over them, it was deliberate, fearful, vindictive and hateful. How do you find words in a moment when you realize it was one of the greatest mass desecrations of art in the 21st Century. An art genocide.

One of the most haunting incredible  unseen inside murals by Carlos "See TF" Game

One of the most haunting incredible unseen inside murals by Carlos “See TF” Game

As Marie was filling me in on what happened, one of my German guests, Andrea Pröscholdt-Krulich, ran over in tears. “Why?! Warum?!” she kept asking. She was quite shaken. You see – her son was a graffiti artist who had recently committed suicide. She had planned on this trip to New York to visit 5Pointz to pay homage to her son. She never thought that a ‘routine Manhattan city tour’ would have included our surprise visit here. Andrea and my guests were stunned at the amount of press around us and the unexplainable goings on. They looked on in wonderment – here they were in ‘free’ America’, in ‘progressive’ New York and they were watching Hitler-like tactics unfold before their stunned eyes. Some of my older guests were survivors of World War II. I had to get back on the coach and explain what was happening. Then  I realized something. I was with a group of Germans, some of whom had been through a time in Germany when Hitler from 1936 to 1937 rounded up all “modern” art – “Entartete Kunst“ and declared it ‘degenerate’ and had it all destroyed. Over 5,000 works were seized, including 1,052 by Emil Nolde, 759 by Heckel, 639 by Ernst Ludwig Kirchner and 508 by Max Beckman, as well as smaller numbers of works by such artists as Alexander Archipenko, Chagall, James Ensor, Matisse, Picasso and even Van Gogh. What Jerry Wolkoff did was no different!

5 POINTZ CANDLE VIGIL 11-18-13

5 POINTZ CANDLE VIGIL 11-18-13

LAST STAND AT 5 POINTZ 11-18-13

LAST STAND AT 5 POINTZ 11-18-13

But we were not there to mourn the destruction of the museum, their clock was ticking and I was there paid to give a tour. We continued with our tour, but every time we came to a red light or got stuck in traffic, the conversation always went back to the disbelief of 5Pointz. We dropped off our guests and I headed to a candle light vigil that was held at 5pm.

GERMANY MOURNS WITH YOU <3

GERMANY MOURNS WITH YOU ❤

The vigil’s atmosphere was like a tomb, what had been vibrant was dead. At night the ‘white” was even more ‘deadly’ and eerie. People kept coming, looking up in silent tearful disbelief and anger. Poster boards were taped onto the building for us to leave our messages. The purpose of the posters is – we will never ever again grace his walls with a single piece of art, line, scribble name or even a dot. Wolkoff had the audacity to claim he too cried. He claimed he had done this so the artist wouldn’t have had the pain of seeing their art work torn down over a period of months.  This scumbag reasoning is because he was afraid of the momentum we were gaining. On last Sunday’s rally, when 5Pointz was packed, Marie and Meres (co-curators) had gathered over 1,000 signed petitions in ONE day, to have the building land marked and saved. The owner Wolkoff cleverly erased the value of the building. Let us also not forget, the approval of the two twin glass towers that he plans to build on the same spot were approved by the weasel of a lying two-faced councilman Jimmy Van Bramer, the lowest form of politician there is: big smiling child like innocent face, with his hand holding a knife behind his back, ready to strike for his financial gain.  Wolkoff and Bramer – greed is the intoxicant but karma is the bitch.

FUCK YOU

FUCK YOU

So joining the ranks now of Picasso, Matisse and Van Gogh are artists Onur Dinc, Esteban Del Valle, Meres One, Spidertag, Kidlew, Kkade, Rubin, Aka Shiro, Veronique Barrilot, Contort, Jekl and Dyzer5, Bisco, Bishop203, Just One, Leias, Zeso, and Zimad, Lord Roc, Bisc1, one of my favorites Carlos “See TF” Game and so, so many, many more. Who is anyone to say they aren’t the next Keith Harring, Basquiat, or Matisse? It is a knife in the soul of a fading New York.

GHOSTS OF 5 POINTZ

GHOSTS OF 5 POINTZ

Rest In Paint 5POINTZ
MARIE FLAGEUL - CANDEL  LIGHT VIGIL

MARIE FLAGEUL – CANDEL LIGHT VIGIL

MERES' 'STAND HERE'

MERES’ ‘STAND HERE’


Photo of the day: BOGEY AND ME at THE UNITED PALACE “CASABLANCA” RE-PREMIERE

CASABLANCA collage
Photo of the day: BOGEY AND ME at THE UNITED PALACE “CASABLANCA” RE-PREMIERE – ‘Mondays on Memory Lane’ takes us to a grande gala evening of tuxedos and gowns as the revitalized United Movie Palace once known at the Loew’s 175th Street Movie Palace, re-premiered the all time film classic “Casablanca” starring Ingrid Bergman and Humphrey Bogart. Having once spent a magical evening alone with Ingrid Bergman in 1972, the film also has an extra special place in my heart.
Dooley Wilson

Dooley Wilson

The Palace originally opened in 1930 as the Loew’s 175th Street Theater, presenting vaudeville and “talking pictures.” With its spectacular Thomas Lamb design, it was the last of the five Wonder Theatres to be built. In 1969, when many of the city’s grand movie theatres had been demolished or turned into multiplexes, the Palace was purchased, and preserved in magnificent style, by Reverend Frederick J. Eikerenkoetter (Rev. Ike) for his church. Rev. Ike paid big money to have European craftsman restore the hand carved gold detail work throughout the theater declaring: “We are all created in God’s image, therefore each of us is god-like. Therefore you should be made to feel like a god when you enter this palace.” (You do, thank you Rev. Ike!)
United Palace Loew's lobby

United Palace Loew’s lobby

Since Reverend Ike’s death in 2009, the United Palace has been led by his son, Xavier, a life-long musician and minister currently working with the Rhythm Arts Alliance in Southern California, whose dream has been to create a cultural center uptown. Toward this end, he has organized UPCA as a secular non-profit that has a long-term licensing agreement to use the theater and rehearsal and classroom space.

Loew's Palace balcony

Loew’s Palace balcony

The theater is Manhattan’s third-largest; portable partitions enable its use for audiences ranging from a few hundred to its full capacity. It has hosted symphony concerts, been used in films, videos and TV shows like “Smash”.

United Palace Loew's theater

United Palace Loew’s theater

What was expected to be an event that would just draw a couple of hundred people through their web site and friends on twitter and Facebook, wound up drawing an audience of 1,100 people! (I was made aware of it by my friend Carolyn Blackbourn). Admission was $15 but those appearing in formal gowns and tuxedos were given free admission but could still make donations to the theater in form of raffles (I won a poster!). The audience was polled by a show of hands, how many were visiting this theater for the first time – 75% of the hands went up! How many had never seen “Casablanca” in a movie theater before – 50% of the hands went up! The audience gasped with the excitement knowing we were all sharing this wonderful experience of “a first” together, that is the magic of film- the shared experience in the dark.
Mike Fitelson and Lou Lumenick

Mike Fitelson and Lou Lumenick

We were treated to live music performances by the SONGS chamber Orchestra and serenaded with “As Time Goes By” by Tim McAfee Lewis. Executive director of ‘the Palace’ handsome Mike Fitelson welcomed us with a wonderful speech of his goals for this architectural treasure. This was followed by the world premier of hip hop artist GPK’s music video “Bouger” which happens to have a ‘Casablanca’ theme. “Casablanca” was introduced by New York Post film critic Lou Lumenick, declaring it his favorite film of all time. Then came that magic moment when the lights are dimmed, the dark screen illuminated with the Warner Brothers logo and the magic began. The film is perfection. Bogey and Bergman are perfection, Peter Lore and Paul Henreid are perfection, the script and editing are perfection. It’s truly is the golden age of 1942 Hollywood.
Loew's Palace mural

Loew’s Palace mural

The joy of classic lines like: “Play it! ” (no Bogey does not say ‘again Sam’, Woody Allen did).
Captain Renault: I’m shocked, shocked to find that gambling is going on in here! [a croupier hands Renault a pile of money] Croupier: Your winnings, sir. Captain Renault: Oh, thank you very much.
Rick: We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night. Ilsa: When I said I would never leave you. Rick: And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of. Ilsa, I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday you’ll understand that.
Rick: Louie, I think this is the beginning of a beautiful friendship.
And I hope that this is also the beginning of a beautiful friendship with the many of you who will check out The United Palace web site (below) and visit this spectacular theater for future events.
"Here's looking at you kid." Bogey & Bergman

“Here’s looking at you kid.” Bogey & Bergman

My favorite Peter Lore scene “Rick! Hide me!”: http://www.youtube.com/watch?v=86x4im8TQWY

Casablanca quotes: http://www.imdb.com/title/tt0034583/quotes

Hans Von Ritttern and Deborah Blau

Hans Von Ritttern and Deborah Blau


Photo of the day: CHRISTMAS DINNER AT BENDEL’S WITH LIZA, SARAH-JESSICA, WOODY, MARILYN, CAROL AND AL HIRSCHFELD

BENDEL HIRSCHFELD CHRISTMAS WINDOW
Photo of the day: CHRISTMAS DINNER AT BENDEL’S WITH LIZA, SARAH-JESSICA, WOODY, MARILYN, CAROL AND AL HIRSCHFELD  – Since I was a little boy the magical drawings of Al Hirschfeld have absolutely fascinated me! The fact that a few twists of the pen could totally capture a person and their character was astounding to me. Every Sunday I would get up early to run to the corner store to get a Sunday New York Times and pull out the Arts & Leisure section to see who had been ‘Hirschfelded’. That was a steadfast tradition from about 1964 till Al Hirschfeld’s death in 2003. I have boxes and boxes (and boxes) of clippings of all the Hirschfelds I could find from then till now.
The great Hirschfeld

The great Hirschfeld

My dream of meeting him came true one day in the year 2000, in the theater that was later to be named for him, The Martin Beck now The Hirschfeld.  The story of meeting him is a story unto it’s own. I had met the greatest of the greats until then: Ingrid Bergman, Bette Davis, Elvis, Elton, Cher, Liz Taylor, Katherine Hepburn, but meeting Hirschfeld had topped them all. I had met the man that had documented close to 100 years of America’s entertainment history. It was the most humbling and breath taking moment of my life.
Jerry Stiller meets 'Jerry' with Margo Feiden and Bendel's

Jerry Stiller meets ‘Jerry’ with Margo Feiden and Bendel’s

When Hirschfeld died, I bought many of his possessions at the 2011 Doyle Galleries estate sale, his pens and pencils, his large wooden pencil box, his shoulder bag and many, many other items, all lovingly displayed in my home.
Fast forward to November 14, 2013 and I am standing in front of Henri Bendel’s windows waiting for the grand unveiling of their Christmas window featuring a three dimensional tribute to the great beloved Hirschfeld.
Bendel's president and top executives and creative team

Bendel’s president and top executives and creative team

I waited front row, clutching my Hirschfeld owned shoulder bag which still has his handwritten name tag attached written in his trademark squared signature. Due to arrive were Jerry Stiller who is featured in the window and Margo Feiden, the sole curator of the Hirschfeld collection. They were followed by the president of Bendel’s, the artistic director, and by Tom Carroll who created the pieces and Bendel’s Assistant VP of Visual, Gilberto Santana. Once inside, I showed the president of Bendel’s my Hirschfeld bag, “You must meet Margo!” (Shades of ‘All About Eve’!!) She welcomed me with open arms and warmth. There I was, after 49 years of collecting, sitting with Margo Feiden, holding hands and telling her my Hirschfeld stories. She so very much reminded my of my dear aunt “G” (see older posts here.) I told her: “Back in the 1960’s and 70’s I was the quintessential stage door Johnny. I had met Bergman, Davis and Crawford…” Margo squeezed my hand and cut me off, “but when you met Hirschfeld…” she interrupted. “Yes!” I proclaimed, “how did you know?” “I can see it in your eyes, it’s still there.” She held my hand tighter. I will not forget that moment. Bendel’s has a limited edition ($100.) poster available for sale commemorating the evening which I asked Margo to sign. “I hope you can read this,” she said as she rolled it up before I could read what she had written to me. I was on cloud 9 as I thanked her and left.
Hans, Jerry Stiller, Margo Feiden

Hans, Jerry Stiller, Margo Feiden

I called mom and told her of the wonderful evening and how my Hirschfeld story had come full cycle. “Well what did Margo write to you?!” mom asked. I didn’t know, because shortly thereafter it was tied up in the traditional brown/white polka dotted Bendel bow and into to fancy large shopping bag it went. “I’ll stop by your apartment on the way home and we can unveil it together.” I rushed home holding onto to it for dear life.
Margo Feiden

Margo Feiden

Once in mom’s living room, we carefully untied the bow and unrolled the large parchment poster, our eyes transfixed on the small handwriting on the poster, trying to make out the inscription. Then we both looked at up each other and were speechless when we saw what Margo had written: “To Hans, with your enthusiasm Bendel’s won’t need lights, Margo Feiden.”
My heart is full.
"To Hans..."

“To Hans…”

The celebrated party guests translated into three dimensions in the window include from left to right: Whoopi Goldberg, Audrey Hepburn, Marilyn Monroe, Woody Allen, Matthew Broderick, Liza, Sarah Jessica Parker,  Jerry Stiller, Bernadette Peters, Carol Channing and Hirschfeld himself. (Omitted in error is Margo Feiden.)
The Margo Feiden Gallery
15 East 9 St Between 5th Ave & University Place
New York, NY 10003 (212) 677-5330 : http://www.alhirschfeld.com/index2.html
HIRSCHFELD POSTER

Photo of the day: MY EVENING WITH FRANK COSTANZA/JERRY STILLER

JERRY STILLER© COLLAGE

Photo of the day: MY EVENING WITH FRANK COSTANZA/JERRY STILLER – Last night the upscale department store Henri Bendel’s Christmas windows were unveiled revealing a tribute to the greatest caricature artist of all time and one of the greatest artists ever – Al Hirschfeld. Bendel’s Christmas window revealed the ultimate fantasy gathering for Christmas dinner with some of the most famed New York personalities, Jerry Stiller among them. After some glasses of champagne and discussing today’s TV shows “our show is better than that vampire crap today!” said Stiller, I asked Frank Costanza, er, ah, Jerry if we could pose for a few photos together, this is my favorite. More of the event to follow.

Observations of the same concert crowd 42 years later: Creedence Clearwater Revival 1971 vs. 2013

OLD CREEDENCE FAN 2013

Observations of the same concert crowd 42 years later:
Creedence Clearwater Revival 1971 vs. 2013

– The size 28 jeans had been replaced by size 40+ jeans.

– Most concert goers could not see their tickets without squinting or using their eye glasses.

– The balcony crowd was most concerned if there was a bathroom on the upper level.

– Rather than arriving by motorbikes, they were arriving by power wheelchairs.

– Walking canes had been substituted for a must-have concert accessory.

– Long shoulder length hair had been replaced with no hair.

– The cause for peace & love was now replaced by fez wearing fat shiners’ looking for charitable donations to their hospitals.

– Rather than making sure you had a dime for a phone call, everyone had cell phones.

– In 1971 no one seemed to be older than 25. In 2013 no one seemed to be younger than 35.

– Beautiful faces now had jowls and laugh lines.

– Rather than racing up to your seats, people stopped to catch their breaths up the stairs “is there an elevator?”

– The people in front of me were wearing hearing aids, I suppose from the 42 years of concert going.

– Rather than lighting a match or your lighter to show your love for a song, there was a persistent greenish glow of tiny cell phone lights.

– Coke and 7-Up were now replaced by $15 cocktails – three times the price of my original 1971 $5 admission ticket.

Gray hair, huffing and puffing, canes, $15 cocktails – who cared! This night I could go back to that hot 1971 July’s summer night in Forest Hills Queens, rock on!

John Fogerty rocks the audience

John Fogerty rocks the audience

CREEDENCE CLEARWATER REVIVAL CONCERT 11-12-13


Photo of the day: 1971 CREEDENCE CLEARWATER REVIVAL to 42 YEARS LATER AT THE BEACON 2013 (you “can” go back!)

CREEDENCE CLEARWATER REVIVAL CONCERT 11-12-13

Photo of the day: 1971 CREEDENCE CLEARWATER REVIVAL to  42 YEARS LATER AT THE BEACON 2013 (you “can” go back!)

In 1971 on a hot summer’s Saturday night in July, I heard on the radio that tickets were still available for the Creedence Clearwater Revival concert at the Forest Hills Stadium. I begged my mother for the money and to let me go, I was 15 years old and I was about to go to my first concert ever! I put on my size 28 faded pink with blue patch pocket bell bottoms and my purple long sleeve butterfly t-shirt and ran to the subway to head up to Forest Hills.

Creedence Clearwater Revival 1971

Creedence Clearwater Revival 1971

My seats were waaaaay in the back of the oval of the stadium, but I was so thrilled, I didn’t care. This was the group that had performed between The Grateful Dead and Janis Joplin at the legendary 1969 Woodstock festival. My music tastes were still evolving, I hadn’t quite found my identity. Disco was yet to come, then I loved the bluesy rhythmic rock style of Creedence Clearwater Revival. Their albums were all the rage in school and on the radio, I had all their lps and 45s. I loved the imaginative magical hit ’doo doo doo’ “Lookin’ Out My Back Doorfrom their 1970 Cosmos album. I have never forgotten sitting way up their in the upper seats singing along and experiencing what was to be so many more incredible concerts in my lifetime. I remember I was such a goody two-shoes that when the audience rushed the stage half way through the concert, I stayed in my assigned seat – boy did I change!

CREEDENCE AUDIENCE

Within the next few years to follow, my musical tastes varied and broadened to include incredible concerts by The Rolling Stones, Sonny and Cher, any Beatle, Elvis at Madison Square Garden, Rock & Roll Revivals, and Elton John. Eventually my taste for disco and the fever to dance ruled and I forsook the sounds of rock, but never completely, always appreciating a good rock artist.

John Fogerty rocks with his son at the Beacon, NYC

John Fogerty rocks with his son at the Beacon, NYC

Forty two years later, I saw an announcement on my friend Randi Horowitz’s web site SocialEyesNYC.com  that the surviving and founding member of Creedence Clearwater Revival, John Fogerty, was going to appear at New York’s legendary Beacon Theater. I had to go! Ironically, the only tickets that were to be had were in the upper balcony, again, but didn’t mind – I was going to relive my first concert of forty two years ago. John Fogerty, an energetic and vibrant 68, gave his all and totally rocked the house with his electric guitar for 2-½ hours. Hit after hit after hit. I had come home again, and so had the rest of the audience. The audience all seemed to be from Queens, Staten Island or Westchester. The faces seemed sort of familiar yet things had changed dramatically. See my following post of “observations of a concert crowd 42 years later”.

Same seats for Creedence - 42 years later :)

Same seats for Creedence – 42 years later 🙂


Photo of the day: ON NOVEMBER 13, FELIX UNGER WAS ASKED TO REMOVE HIMSELF FROM HIS PLACE OF RESIDENCE . . .

The_Odd_Couple_%28TV_series%29_titlecard

Photo of the day: On November 13, Felix Unger was asked to remove himself from his place of residence . . .
that request came from his wife.
Deep down, he knew she was right,
but he also knew that some day he would return to her.
With nowhere else to go,
he appeared at the home of his friend, Oscar Madison.
Several years earlier,
Madison’s wife had thrown HIM out,
requesting that HE never return.
Can two divorced men share an apartment without driving each other crazy?
The Odd Couple 1970 opening classic New York credits: http://www.youtube.com/watch?v=Af1h4ibpKJA

Photo of the day: DEAD MARILYN ~ DAY OF THE DEAD

DEAD MARILYN

Photo of the day: DEAD MARILYN ~ DAY OF THE DEAD – Day of the Dead / Dia de Meurtos is a fascinating holiday celebrated in Mexico October 31 and November 1 & 2. Even though this coincides with the Catholic holiday called All Soul’s & All Saint’s Day (Halloween), Mexicans have combined this with their own ancient beliefs of honoring their deceased loved ones. They believe that the gates of heaven are opened at midnight on October 31, and the spirits of all deceased children (angelitos) are allowed to reunite with their families for 24 hours. On November 2, the spirits of the adults come down to enjoy the festivities that are prepared for them. I think this is wonderful. Elaborate altars are prepared with food and drink, skulls made of sugar, marigolds and lots of flowers, cigarettes for the departed and incredible folk art replicating and honoring their dear departed.
So on my annual trip to Tijuana, Mexico this August it was close enough for the approaching holiday that the Day of the Dead folk art abounded. Eagerly I shopped the markets – I saw dead Frida Kahlo of course, dead Elvis and my two treasures – dead Marilyn. Upon seeing them, my first reaction was with excitement. Second reaction with revulsion. Third reaction “I have to have them!” (Fourth reaction ‘Which do I choose?’) So here are my two hand made folk art Dead Marilyns (I’ve gotten used to them in my living room). Feliz Dia de los Muertos! .
This explains it colorfully and best:  http://www.mexicansugarskull.com/support/dodhistory.html
PS – There was a short lived punk rock group called ‘Dead Marilyn’, I have the picture sleeve 45 tucked away somewhere.

Photo of the day: IN DEFENSE OF “ART” – SAVING 5 POINTZ GRAFFITI MUSEUM

5 POINTZ HEARING COLLAGE

Photo of the day: MY SPEECH TO SAVE 5 POINTZ DIRECTED AT COUNCILMEMBER JIMMY VAN BRAMMER AND DEVELOPERS – On Wednesday October 2, 2013 both sides in favor and against tearing down Graffiti & Mural museum 5 Pointz, gathered inside City Hall for a hearing by the NYCHA – The New York City Housing Authority. It’s basically a side show/dog and pony show with the real estate developers always claiming tearing something down is “for the good of the community.” The owner, Jerry Wolcoff wants to build twin mirror glass apartment towers for which he will receive $7 million. Now you know me – I do not go quietly! Here is my passionate speech directed in part at my Queens councilmember, who is Christine Quinn’s lap dog and Mayor Bloomberg’s pet – Jimmy Van Brammer – who has stated he does not believe the magnificent powerful graffiti and mural works at 5 Pointz is “art” – and therefore in favor of tearing the building down. (When embarrassingly trapped by the truth of his statement at the hearing he said: “Well….I said I don’t quite understand it.” After also admitting he has rarely ever visited the site in his district.

rendering-5 POINTZ WOLCOFF TOWERS

rendering-5 POINTZ WOLCOFF TOWERS

SPEECH:

My name is Hans Von Rittern, born raised in Queens, licensed tour guide of 8 years. I have been hired by Harlem Spirituals Tour company to take European tourists on a 5 hour tour of Brooklyn. They marvel at the view from Fulton Ferry and thank me, they love Park Slope bagels and Coney island puts a smile on their faces. The endpoint of the tour is supposed to be hipster Williamsburg. I chose not to do that and end my tour at 5 Pointz as a surprise. When I get back onto the bus, each and EVERY single time they burst out into spontaneous cheers and applause saying  “THIS is highlight of the New York tour”! “THIS is New York!”

I take tourists on “art tours” of galleries and or museums. When they reach MOMA’s PS1 they are bored and unmoved by the art. I say “come with me”  and lead them to 5 Pointz and I always have trouble getting them back into our vehicle. This is an untapped   rich   resource that needs imagination of design and investment, NOT a quick buck, another mirror glass box and then get the hell out of there as fast a possible.

There are 2 ways to make money: The quick bang fix and run – or, the wise investment – for perpetual monetary return on your investment of restoring the building and let the artists go hog wild on the interior. Hipsters will kill for a graffiti-ed loft, stores would love the unmatched  ambience and above all, CHARGE FOR THE ADMISSION INTO THE BUILDING AS A FULLY FLEDGED MUSEUM.

Muralist VERONIQUE BARRILOT makes her (final?) statement

Muralist VERONIQUE BARRILOT makes her (final?) statement

‘Not a museum because it’s not “art”’,  as some politicians like my councilmember Jimmy Van Brammer will say?

May I remind you:

Toulouse L’autrec – was considered street art and torn off the walls, today  his street posters are considered the finest examples of classic art.

Matisse – was dismissed as “scribble,”

Picasso – was considered a crackpot for putting a woman’s nose where her ear ought to be

Warhol– not taken seriously at all, soup cans as art?! Own one today and it’s worth millions.

Keith Haring – used to graffiti at my subway station, I watched him get arrested. Today he hangs in MOMA and the cathedral of St. John The Divine.

Basquiat – was looked down upon as wanna be street artist. His work is now in the major museums around the world.

Yes, I fully realize this is not what the building was intended to become, but it has, it has become bigger than what you realize.

So who are YOU – to say this is not “art” and therefore not worth saving and investing in?

I should think greed alone would take over and try to save it.

Don’t have your names forever associated with the destruction of this building so all of you can make a “fast buck” rather than a wise “invested buck.”

Look back, which one of you doesn’t wish they owned a Warhol soup can now?

Well –  you have dozens of them, right here in front of you.

Just because it is relatively new art does not make it less relevant art.

Remember all the fools that said the same of Lautrec, Warhol, Haring and Basquiat.

Will you be the same short sighted fools?

Fellow tour guide Andy Sydor testifying in favor of 5 Pointz

Fellow tour guide Andy Sydor testifying in favor of 5 Pointz

Reporter Greg Mocker of WPIX11 Covered the hearing, I can be seen testifying saying : “Yes, I fully realize this is not what the building was intended to become, but it has, it has become bigger than what you realize.” Here is the video link http://pix11.com/2013/10/02/nyc-council-hears-plans-for-iconic-queens-grafitti-building/#axzz2gfgASpxA

5 POINTZ WEB SITE: http://5ptz.com/


Photo of the day: DESPITE THE GOVERNMENT SHUT DOWN, THE FIGHT FOR LIBERTY CONTINUES BY MURALIST VERONIQUE BARRILLOT

ARM

Photo of the day: DESPITE THE GOVERNMENT SHUT DOWN, THE FIGHT FOR LIBERTY CONTINUES BY MURALIST VERONIQUE BARRILLOT – Today the despicable Republicans have shut down the government. Tourists here in New York that have traveled half way around the world to go to Liberty Island are literally left out in the cold. The most upset are those who have crown visit tickets, those tickets have been ordered two to three months in advance and you arrive in New York = closed.
 LIBERTY SHUT DOWN
One of the places you can see Miss Liberty still fighting for her freedom is at the Graffiti Museum 5 Pointz on Jackson Avenue in Long Island City, Queens, right next to the 7 train Court Street Station. World famous 5 Pointz, as so many other treasures in New York, thanks to the greedy cancer that is the Bloomberg administration, is in great danger of being torn down in favor of twin mirror glass apartments.
5 Pointz, Jackson Avenue at Crane Street and Davis Street, the whole block, Long Island City, NY 11101, #7 train Court Street stop.

5 Pointz, Jackson Avenue at Crane Street and Davis Street, the whole block, Long Island City, NY 11101, #7 train Court Street stop.

To make her (perhaps final) statement, French muralist Veronique Barrillot has been given permission to paint a giant mural directly on the Jackson Avenue side for all to see. It is the Statue of Liberty, grimacing as she holds a paint pallet and paint brushes. Veronique is finishing the mural today, so I will not reveal  the full image of it yet.  Veronique states: “The homage I would like to pay to 5 Pointz is that of our common heritage and of our faith in the future and in liberty.” As of this moment’s government shut down, that immediate ‘future’ looks grim. The longest government shut down was also the most recent, from Dec. 16, 1995, through Jan. 5, 1996. That’s 21 days. No Grand Canyon, no Yellowstone, no national zoos, no landmarks like the Lincoln Memorial or the Washington Monument – no Statue of Liberty.
Paint on Veronique, paint on ! Vive l’art!
VERONIQUE’S AWESOME VIDEO ‘PORTFOLIO’! http://www.youtube.com/watch?v=sPFiydrnAYg
VERONIQUE BARRILOT’S WEB SITE: http://www.fresquesmurales.fr/
5 POINTZ WEB SITE: http://5ptz.com/


Photo of the day: A PIECE OF THE SKY – BARCLAYS CENTER OCULUS

BARCLAY OCULUS

Photo of the day: A PIECE OF THE SKY – BARCLAYS CENTER OCULUS – Built in 2012 to much controversy in downtown Brooklyn, the brand new indoor Barclays sports and concert arena does create a mesmerizing presence to a once decaying area. Built of rusting/”pre-weathered” steel plates made to emulate Brooklyn’s brownstones, it seems to float over the area’s Atlantic Avenue transit hub.
An 117-by-56-foot (36 by 17 m) “Oculus” extends over a 5,660-square-foot (526 m2) section of the plaza outside of the main arena entrance, and contains an irregularly-shaped display screen that loops around on the inside of the structure offering you at times the illusion of a slice of sky.

Photo of the day: WALKING THE WILD UNTAMED HIGH LINE

HIGHLINE

Photo of the day: WALKING THE WILD UNTAMED HIGH LINE – One of the most sold out tickets in New York City are the limited “art walks” offered by The High Line on the undeveloped portion. The landscaped and preserved portion of The High Line is the worlds only elevated park situated on an old rail line built in 1934, the developed portion many of my guests have walked with me from Gansevoort Street to West 28th Street. The undeveloped portion stretching to 34th Street’s Hudson rail yards has an art installation on it by sculptor Carol Bove. Frankly most of the ‘art’ is utter nonsense on the level of ‘the emperor is wearing no clothes’, but – – you get to walk on the untouched rusty overgrown part of the rail line and see a view that will not last. Unfortunately is was very overcast and threatening to rain but the experience was absolutely breathtaking! Here is a sneak peek. More to follow!

Photos of the week: Come celebrate my one man show Friday, June 14th , 7:30-10:00pm !!

The photos were hung by the chimney with care, In hopes that Hans' friends soon would be there!

The photos were hung by the chimney with care, In hopes that Hans’ friends soon would be there!

Come celebrate my one man show!!
15 photos beautifully displayed at The Brogue Bar in my hood of Sunnyside/LIC Queens.
Located at 4910 Skillman Avenue (between 49/50th Streets). 
Easy to get to: take N/R/Q train to Queensboro Plaza, transfer to “7” GREEN/LOCAL train, get off either 46th or 52nd Street and walk 2 avenues north.
Let’s make this a birthday/Christmas/4th of July/ Labor Day celebration!
Wine and cheese will be served, cash bar.
Please come – I will be so happy to see you all!

Mondays on Memory Lane: THE PALLADIUM DISCO 1986 “EVERY DAY IS GAY PRIDE DAY”

PALLADIUM BUILDING

Mondays on Memory Lane: THE PALLADIUM DISCO “EVERY DAY IS GAY PRIDE DAY” – June is world wide Gay Pride month. One of the last great dance palaces of the disco era was the grand Palladium which every Sunday catered to an almost all gay audience. Owned and operated by the former Studio 54 masterminds Ian Shrager and Steve Rubell. It was one of the last clubs I attended around 1986 before “it just wasn’t fun anymore.”

The Palladium was converted from a movie theater to a music venue and then into a nightclub. The famous duo hired  Danceteria DJ Richard Sweret, who saw the possibility of a much larger audience for a downtown New Wave, Euro and house music-oriented club. From its celebrity-studded opening in May 1985, through the end of the 1980’s, it was one of the major features on a vibrant New York club scene. The club was a mainstay on the New York club scene until it was bought out in 1997 by the voracious appetite of New York University (NYU) and demolished for a sterile campus housing project. They have continued to destroy New York ever since.

Junior Vasquez’s Arena party, held Saturday nights and all day Sundays at Palladium between September 1996 and September 1997, was one of the most popular parties in the New York club scene at the time. Although the promoters billed Arena as “The Gay Man’s Pleasure Dome”, the party drew an eclectic mix of gay and straight from Manhattan and far beyond. 14th Street in those days was still seedy and therefore the attraction to gain entrance into the club as you bypassed the bums in the adjoining urine stenched doorways was ‘chic’ and daring.

1986 Palladium party invitation

1986 Palladium party invitation

The Palladium represented architect Arata Isozaki’s transformation of a vacant and rundown theater, originally built in 1927 as the Academy of Music, into an extraordinary interior that can only be described as a sleek new structure, the equivalent of a seven-story building using more than 200 tons of steel, within the restored grandeur of the original shell. After the conversion from a venue to a club, the main dance floor of the Palladium was a huge space which used to hold the theater and seating. One interesting feature of the club was the large banks of TV monitors in grid formations that were used to display music vidoes. Each monitor could operate separately, or one large picture could be shown across the grid – we had never seen such technology before and it was mesmerizing to us at the time.

PALLADIUM collage

The entire gigantic cavernous club was big enough to hold different areas, the equivalent of three or four clubs! Besides the pounding main dance floor area there was a multicolored basement, and the famous upstairs “VIP room”, The Michael Todd Room. Murals were created for this space by the well known New York artists of the 1980s Jean-Michel Basquit, Francesco Clemente, Kenny Scharf and Keith Haring – these treasures are gone.

The video links below will show you the 1980’s grandeur it once was.

A rare visual tour into the past of The Palladium: http://www.youtube.com/watch?v=t5_NI2MSmp8

MTV music video A. Snap – The Power B. Technotronic – This beat is Technotronic: http://www.youtube.com/watch?v=vUdbX4B-74s


Photo of the day: ROCKEFELLER CENTER-ED

ROCK CENTERED

Photo of the day: ROCK CENTERED – Following the incredible public response to Ugo Rondinone’s Human Nature public art display at Rockefeller Center, the exhibition has been extended by one month and will remain on view through July 7! Transforming Rockefeller Center Plaza between 49th and 50th Streets, Rondinone’s nine colossal stone figures stand like ancient sentries in the heart of Midtown Manhattan. Their immovable legs are gates through which visitors pass (and where they often pose for photos!) and their primal 16- to 20-foot-tall forms stand in stark contrast to the modern buildings that surround them. Some say they look like human figures…I say they look like stacked rocks – art is in the eye of the beholder. (And no, you can’t climb to ‘the top of the rock’).
Share your images of the exhibition using the hashtag #UgoNYC or upload your images to PublicArtFund.org, where they will live as part of their exhibition archive!
This exhibition is presented by Nespresso and organized by Public Art Fund and Tishman Speyer.