Mondays on Memory Lane: I REMEMBER SUBWAYS WHEN . . .
Mondays on Memory Lane: I REMEMBER SUBWAYS WHEN . . . – They had rattan seats – when the rattan came loose, it would pinch you in the ass – all you needed was a nickel and a dime to ride the subway, 15¢ – they gave out paper transfers – porcelain handles that squeaked – the subways were so noisy you had to wait till the next stop so that you could talk – they had vending machines on the platforms: assorted gums like Chicklets for 1¢, Dole orange juice machines with separate spigots for water and juice concentrate – there was still a Miss Subways – there were large paper ads shellacked onto the walls instead of the peel and stick kind today – the stations were dimly lit with simple household light bulbs – we still had token booth attendants – those thick wooden turnstiles – there was a dusty/musty smell in all the stations – garbage was piled high on the tracks – ladies wore white gloves on the subways (this helped keep your fingers from not getting black from reading The New York Times) – all businessmen read their cleverly triple vertically folded NY Times, it was an art – there were wonderful square cardboard ads on the car walls advertising the movies with a show at Radio City Music Hall – when (I Love) Lucy got the loving cub stuck on her head and takes the subway disguised as a beekeeper – there were no musical performers on the trains – that vertical emergency brake pole that was on one end in every car, that would clank as the train rattled – trains shook, rattled and rolled – going from car to car while the trains sped through the tunnels was really dangerous and scary – men gave ladies their seats – porcelain ceiling fans – those teeny tiny tokens! – you could open the windows at your desire – the conductor changing the route signs at the end of every station – you got dressed nicely simply because you were taking the New York City subway, wondering if you might sit next to an actual ‘miss Subways!’ . . .
Radio City movie & show – 1974 subway ad
Mondays on Memory Lane: PLEASE HELP GIVE CAROL CHANNING A 2013 KENNEDY CENTER AWARD
Mondays on Memory Lane: PLEASE HELP GIVE CAROL CHANNING A 2013 KENNEDY CENTER AWARD – If you are of a certain age, or you know your entertainment history, there are certain voices that on first note you recognize instantly. The Brooklyn of Jimmy Durante, the heart of Louis Armstrong, the belt of Ethel Merman, the breathiness Marilyn Monroe, the growl of Eartha Kitt, the shaky quality of Katherine Hepburn, the accent of Marlene Dietrich, the staccato speech pattern Bette Davis and above all the big hearted gravely “hello” of Carol Channing!
Carol is larger than life, she is a living caricature of herself, a favorite of the best caricature artist of all time Al Hirschfeld. She is also living Broadway history having created two of the most iconic characters in theater history, Lorelei Lee of ‘Gentlemen Prefer Blondes’ and Dolly Levi of ‘Hello Dolly’. No matter who you remember playing these characters on screen, Marilyn Monroe or Streisand – Carol originated them! But above all, there is no other creation like Carol herself. You fall in love with her the moment you set eyes on her.
At age 92, nothing has changed, her saucer eyes, her broad grin, that bowl cut hair style, the platinum blonde hair, that child-like enthusiasm with a heart of gold and above all, above all – that voice! I have had the thrill of seeing her on stage many times in my lifetime: 3 times as Dolly in 1970, 1978 and 1995. Once as Lorelei Lee the ultimate diamond loving gold digger the 1974’s ‘Lorelei’, the musical stage version of ‘Gentlemen Prefer Blondes’. In film she will be forever remembered as Muzzy Van Hossmere in Julie Andrews’ ‘Thoroughly Modern Millie’ as Carol sang in a vocal range from a high ‘C’ to the lowest note possible in ‘I’m Just A Jazz Baby’ and ‘Raspberries!’
On April 30, 2011, my good friend Jeffrey Shonert and I had the thrilling absolute surreal honor of sitting in front of Carol Channing and her late husband Harry Kullijian at the premier of her life story documentary “Larger Than Life” at the Tribeca Film Festival here in New York. This was thanks to the larger than life heart and love of my dear friend, entertainer and author Richard Skipper. As the film ran I could hear Carol commenting on the film to her husband – two Carol voices at once – surreal!! Richard, I am forever indebted to you!
Once a year The Kennedy Center in Washington D.C hands out lifetime achievement awards to the greats of entertainment. Since their inception in 1978, in all this time, Carol Channing has never been honored. How they have overlooked and bypassed this legend is a travesty and embarrassment. What to me makes it worse, last year seemingly having run out of names to give it to, they gave it to mad magazine poster child David Letterman. How throwing watermelons off a roof while stupidly grinning into the camera merits a lifetime achievement award over the life’s work of Carol Channing is beyond me! She has entertained us since the 1940’s, has worked tirelessly for Arts In Education. She IS theater!
My dear friend Richard Skipper, personal friend of Carol Channing, is championing the cause to finally having Carol be given her due. PLEASE, if you love Carol, are a friend of mine or just a show biz lover, please sign the enclosed petition to correct this unjust oversight and GIVE CAROL CHANNING THE 2013 KENNEDY CENTER HONOR ! Please sign the petition here: http://www.change.org/petitions/the-kennedy-center-honors-give-carol-channing-a-2013-kennedy-center-honor
Thank you !
Hans Von Rittern
The trailer for ‘Larger Than Life’ http://www.youtube.com/watch?v=KJ_aQMAP5xM
Two of the biggest hearts in show business, both Hello Dolly’s themselves – Carol Channing and Pearl Bailey = priceless! http://www.youtube.com/watch?v=fcazoYIRIoo
Richard Skipper’s blog http://richardskipper.blogspot.com/2011/08/carol-channing-deserves-2011-kennedy.html
Past Kennedy Center honorees http://www.kennedy-center.org/programs/specialevents/honors/history.cfm
NEW YORK CITY - IN THE WIT OF AN EYE 